How to prompt Kling AI

Slow dolly push toward the serum bottle, then the camera gently orbits fifteen degrees right, revealing the texture of the frosted glass and the embossed logo, studio light gradually brightening, shallow depth of field keeping the label crisp.

The proven ad move on Kling: push in, orbit slightly, let the light do a slow reveal. The prompt describes motion FROM the image, never what the image contains — the start frame is the anchor for identity, layout and label text.

Suction cup car mount on the passenger door of a rally car, camera locked to the body as it drifts around a gravel corner, dust plume erupting behind, suspension visibly working, background whipping past in motion blur while the car stays razor sharp.

Kling understands real film equipment — naming the rig produces the physics of that rig: car crisp, world blurred. "Suspension visibly working" is the physical-detail layer that sells speed.

The woman from the character image performs the dance from the reference video on a rooftop at sunset, full body in frame, city skyline behind her, warm backlight with lens flare, her dress flowing with each spin.

Motion Control reads movement from your reference video and identity from your character image — the prompt only sets who and where. Clean full-body reference footage with a stable camera transfers best; the model recreates the choreography, not the reference's background.

Medium shot over a wooden cafe table: a steaming espresso cup in sharp focus in the foreground, a woman reading blurred behind it. Rack focus from the cup to her face as she looks up and smiles at someone off-screen, morning window light, dust motes drifting.

Name both focus planes and the trigger ("as she looks up") — Kling times the focus pull to the action instead of drifting it randomly. The cheapest way to add narrative to a static scene.

Macro close-up of hands kneading dough, flour dust in the air. The camera slowly pulls back and cranes up to reveal a full bakery kitchen at dawn — three bakers working, trays of croissants, warm tungsten light — in one continuous move.

A reveal only works if the destination is described: give the wide shot its content ("three bakers, trays of croissants") or the model invents an empty room. "One continuous move" guards against an unwanted cut.

Two-shot at a kitchen counter: a chef in a denim apron holds up a jar of chili oil and says: "Three ingredients. That's the whole secret." His friend leans in, takes the jar and answers: "You're lying." Natural handheld feel, warm evening light. Ambient: sizzling pan, low music.

Attribute each quoted line to a distinct, described speaker so the voices land on the right faces. Write dialogue in English (or Chinese) — those are native; other languages get auto-translated.

Subtle parallax: the camera drifts a few centimeters right, foreground plant leaves shifting slightly against the window, steam rising from the mug, rain streaking down the glass outside. Everything else stays still.

Minimal motion verbs plus one drifting camera gives a living-photo effect with full fidelity to the source. Kling's motion smoothness shows at low intensity — no jitter or warping on the near-static regions.

Static wide of a skater alone on a rooftop, then a crash zoom into a tight close-up of his grin as he drops in, Dutch angle, harsh midday sun, the board's wheels hitting concrete with a visible jolt.

Crash zoom plus Dutch angle is a first-second thumb-stopper, and Kling executes both as named techniques. "A visible jolt" gives the cut-in a physical beat to land on.

One unbroken steadicam shot: the camera follows a florist from the back room of her shop, through the doorway, weaving between flower buckets to the front counter, where she hands a wrapped bouquet to a customer, morning light growing brighter toward the storefront.

O3 Pro goes up to 15 seconds, which fits a genuine oner. Subject-relative phrasing ("the camera follows") holds the follow steady through the whole path; the light progression marks time across the take.

The perfume bottle rises slowly out of black water, droplets sliding off the glass, rim light igniting the amber liquid as it settles into a centered, label-forward hero pose, the water surface calming to a mirror.

Upload your finished hero shot as the end frame — the clip is guaranteed to land on the packshot, ready to hard-cut into a logo card. Kling interpolates a smooth path from the start image to it.